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70-200 mm Lenses

A professional Canon 70-200 is ideal for photographing candid portraits, sports, wildlife and anything you don’t want to get too close to. The 70-200 f4 and f2.8 lenses will capture sharp, stunning photos from a distance, allowing you to focus on chosen subjects while cropping out the unwanted elements in your frame.

Canon EF 70-200mm f/2.8L IS III USM Lens

Landscape, Wildlife, Photojournalism
Professional L-series
Image Stabilizer

£ 2,199.99

Free Standard Delivery

In stock online

Canon RF 70-200mm F2.8L IS USM Lens

£ 200 CASHBACK ON THIS LENS

Portrait, sport, travel
Professional L-series
5-stop IS, Dual Nano USM, Lens Control Ring

£ 3,059.99

Free Standard Delivery

In stock online

Canon RF 70-200mm F4L IS USM Lens

£ 100 CASHBACK ON THIS LENS

Wildlife photography, sports, portraits, travel
Professional L-series
5-stop Image Stabilizer, Dual Nano USM

£ 1,769.99

Free Standard Delivery

In stock online

Discontinued

Canon EF 70-200mm f/2.8L USM Lens

Wildlife, action, photojournalism
Professional L-series
USM Auto Focus

£ 1,509.99

Permanently unavailable

COMPARISON CHART
Name	Canon RF 70-200mm F4L IS USM	Canon RF 70-200mm F2.8L IS USM	Canon EF 70-200mm f/2.8L USM	Canon EF 70-200mm f/2.8L IS III USM	Canon EF 70-200mm f/4L USM	Canon EF 70-200mm f/4L IS USM
IMAGE SIZE	Full Frame	Full Frame	Full Frame	Full Frame	Full Frame	Full Frame
EQUIVALENT FOCAL LENGTH The focal length you would need for a 70-200mm film camera to achieve the same angle of view	-	-	-	-	-	-
ANGLE OF VIEW (HORIZONTAL, VERTICAL, DIAGONAL) A way of measuring what you see through the lens. The wider the angle of view, the more you can see in the frame.	29° - 10°, 19°30' - 7°, 34° - 12°	29° - 10°, 19°30' - 7°, 34° - 12°	29° - 10°, 19°30' - 7°, 34° - 12°	29° - 10°, 19°30' - 7°, 34° - 12°	29° - 10°, 19°30' - 7°, 34° - 12°	29° - 10°, 19°30' - 7°, 34° - 12°
LENS CONSTRUCTION (ELEMENTS/GROUPS) Elements: Glass pieces within the lens module itself Groups: One or more elements closely connected to achieve a specific task in the optical design	16/11	17/13	18/15	23/19	16/13	20/15
NUMBER OF DIAPHRAGM BLADES The more blades a diaphragm has, the more circular the shape of the aperture as it closes. The shape of the blades also determines circular aperture. The more circular the aperture, the more circular the out-of-focus details in the image (bokeh) will be.	9	9	8	8	8	8
MINIMUM APERTURE The smallest you can make the aperture to still get light to the camera	32	32	32	32	32	32
MINIMUM FOCUS DISTANCE (METER) This is the closest the lens can get to your subject before it cannot focus, measured from the subject to the sensor plane	0.6	0.70	1.5	1.2	1.2	1.2
MAXIMUM MAGNIFICATION (X) How big an object will look in a final image, with 1x meaning life-size reproduction on the sensor, which when enlarged will show very high detail	0.28	0.23	0.16 (at 200mm)	0.21 (at 200mm)	0.21 (at 200mm)	0.21 (at 200mm)
DISTANCE INFORMATION	Yes	Yes	Yes	Yes	Yes	Yes
IMAGE STABILISATION Counteracts camera shake, allowing for a sharper image	5	5	-	3.5	-	3.0
AF (AUTO-FOCUS) ACTUATOR Automatically focuses the lens on a subject. This uses various methods like STM, USM.	Dual Nano USM	Dual Nano USM¹	Ring USM³	Ring USM³	Ring USM³	Ring USM³
DUST/MOISTURE RESISTANCE	Yes	Yes	-	Yes	-	Yes
FILTER DIAMETER (MM)	77	77	77	77	67	67
MAX. DIAMETER X LENGTH (MM)	83.5 x 1193	89.9 x 146	84.6 x 193.6	88.8 x 199	76 x 172	76 x 172
WEIGHT (G)	695 g	1070 g	1310 g	1480 g	705 g	760 g